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Shakespeare 450 : Call for papers

The Société française Shakespeare is organizing in Paris a week-long conference from 21-27 April 2014 to coincide with the 450th anniversary of Shakespeare’s birth. The program will include plenary lectures, roundtables, workshops, seminars, panels, along with performances at various venues, theatres, concert halls, museums, libraries, artists’ studios and bookshops.

For more information, see : http://www.shakespeareanniversary.org/?-Shakespeare-450-

The list of CFPs for seminars, panels and workshops for Shakespeare 450 is updated daily on the « Shakespeare Anniversary » website. Please check the link above for recent information and deadlines.

Seminars

  1. Seminar 1: Shakespeare on Screen: The Romances (Sarah Hatchuel and Nathalie Vienne-Guerrin, France)

  2. Seminar 2: Biology through Shakespeare (Rachel Rodman, Durham, NC)

  3. Seminar 3: The Many Lives of William Shakespeare: Collaboration, Biography and Authorship (Paola Pugliatti and William Leahy, Italy-UK)

  4. Seminar 4: Early Shakespeare (Rory Loughnane and Andrew J. Power, USA)

  5. Seminar 5: Shakespeare and the Visual Arts (Michele Marrapodi, Italy)

  6. Seminar 6: Global Shakespeare as Methodology (Alexander Huang, USA)

  7. Seminar 7: ‘In this distracted globe’?: Cognitive Shakespeare (A. Müller-Wood and S. Baumbach, Germany)

  8. Séminaire 8: La fabrique du personnage shakespearien (Delphine Lemonnier-Texier, France)

  9. Seminar 9: Legal Perspectives on Shakespearean Theatre (Daniela Carpi and J. Gaakeer, Italy-Netherlands)

  10. Seminar 10: Shakespearean festivals and anniversaries in Cold War Europe 1947-1988 (Erica Sheen and Isabel Karremann, UK-Germany)

  11. Seminar 11: (Ré)écrire la tragédie shakespearienne sur la scène contemporaine occidentale (Catherine Treilhou-Balaudé and Florence March, France)

  12. Seminar 12: ‘Green’ or Ecocritical Shakespeare: non- human nature as a character in his plays (Malvina Isabel Aparicio, Argentina)

  13. Seminar 13: The Shakespeare Circle (Stanley Wells and Paul Edmondson, UK)

  14. Seminar 14: ’Many straunge and horrible events’ – Omens and Prophecies in Histories and Tragedies by Shakespeare and His Contemporaries (Imke Lichterfeld and Yan Brailowsky, Germany-France)

  15. Seminar 15: Shakespeare in French Film/France in Shakespearean Film (Melissa Croteau and Doug Lanier, USA)

  16. Seminar 16: The Celebrated Shakespeare: public commemoration and biography (Michael Dobson, UK)

  17. Seminar 17: Religion and paganism in Shakespeare’s plays (Eric Harber, UK-S Africa)

  18. Seminar 18: Shakespeare: The Authorship and the Dating Question: Apocrypha and the Case of All’s Well (Daniela Guardamagna and Rosy Colombo, Italy)

  19. Seminar 19: Shakespeare and Global Girlhood (Ariane M. Balizet and Marcela Kostihová, USA)

  20. Seminar 20: ‘The web of our life is of a mingled yarn, good and ill together’: The Nature of Problem in Shakespearean Studies (Jonathan Hart and Seda Çağlayan Mazanoğlu, Canada-Turkey)

Panels

  1. Panel 1: Shakespeare in Brazilian Popular Culture (Aimara da Cunha Resende, Brazil)

  2. Panel 2: Shakespeare and Science (Sophie Chiari and Mickael Popelard, France)

  3. Panel 3: Shakespeare Jubilees on three Continents (Christa Jansohn, Germany)

  4. Panel 4: Secular Shakespeares (Edward Simon, USA)

  5. Panel 5: Born before and after Shakespeare (Anne-Valérie Dulac, Laetitia Sansonetti, France)

  6. Panel 6: Shakespearean mystifications (Davide Del Bello, Italy)

  7. Panel 7: Telling Tales of / from Shakespeare: Indian Ishtyle (P. Trivedi, S. Chaudhury, India)

  8. Panel 8: Shakespeare and ‘th’intertrafique’ of French and English Texts and Manners (Dympna Callaghan, M. Tudeau-Clayton, Lukas Erne, Indira Ghose, USA-Switzerland)

  9. Panel 9: Bakhtinian Forays into Shakespeare: Word, Gestures, Space (Carla Dente, Martin Procházka, Pavel Drábek, Italy-Czech Rep.-UK)

  10. Panel 10: Shakespeare and Natural History (Christopher Leslie, USA)

  11. Panel 11: ’The Undiscovered Country – the Future’ - Shakespeare in Science Fiction (Simone Broders, Germany)

  12. Panel 12: Crossroads: 21st century perspectives on Shakespeare’s Classical Mythology (Agnès Lafont and Atsuhiko Hirota, France-Japan)

  13. Panel 13: Popular Shakespeares in East Asia: Local and Global Dissemination (Yilin Chen and Ryuta Minami, Taiwan-Japan)

  14. Panel 14: Shakespeare and Levinas: Dialogue between a Playwright and a Philosopher (Sean Lawrence and James Knapp, Canada-USA)

  15. Panel 15: Celebrating Shakespeare: Commemoration and Cultural Memory (Clara Calvo and Coppélia Kahn, Spain-USA)

  16. Panel 16: “It’s Shakespearian!”: The critical fortune of a commonplace in France from 1820 to the present (Gisèle Venet and Line Cottegnies, France)

  17. Panel 17: Shakespeare and the Popular Culture within/Beyond the Asian Identities (Kang Kim, S-Korea)

  18. Panel 18: ‘Seeing As’: Shakespeare and Denotement (Michael Hattaway, UK)

  19. Panel 19: ’This Earth’ (Ruth Morse, France)

  20. Panel 20: Moving Shakespeare: Approaches in Choreographing Shakespeare (Marisa C. Hayes, UK-France)

  21. Panel 21: Diplomacy, International Relations and The Bard in the Pre- and Post-Westphalian Worlds (Nathalie Rivere de Carles, France)

  22. Panel 22: Shakespeare and Slavic / East and Central European Countries (Michelle Assay, France-UK)

  23. Panel 23: Shakespeare, Satire and ‘Inn Jokes’ (Jacqueline Watson, UK)

  24. Panel 24: Shakespeare’s World in 1916 (Gordon McMullan, UK)

  25. Panel 25: Shakespeare et les romans hispano-américains (Cécile Brochard, France)

  26. Panel 26: Shakespeare in French Theory (Richard Wilson, UK)

  27. Panel 27: Speaking ‘but in the figures and comparisons of it’? Figurative speech made literal in Shakespeare’s drama / page and stage (Denis Lagae-Devoldère and Anne-Marie Miller-Blaise, France)

Workshops

  1. Workshop 1: TBA.

  2. Workshop 2: “So Rare a Wonder’d Father”: the Cult of Shakespeare and the Father Figure (S. Bassi, R. Coronato, L. Tosi, D. Lagae-Devoldère, Italy-France)

  3. Workshop 3: Textual and verse analysis in relation to performance : a workshop to read Shakespeare from the performer’s viewpoint (Colin David Reese, UK)

  4. Atelier 4: Shakespeare Theatre Needs Francophone Actors (Christine Farenc, France)

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